September 29, 2026

Long Lists - 2026-2027

Steph

Silence, Shusaku Endo (Maybe Classic - published in 1966)

Seventeenth-century Japan: Two Portuguese Jesuit priests travel to a country hostile to their religion, where feudal lords force the faithful to publicly renounce their beliefs. Eventually captured and forced to watch their Japanese Christian brothers lay down their lives for their faith, the priests bear witness to unimaginable cruelties that test their own beliefs. Shusaku Endo is one of the most celebrated and well-known Japanese fiction writers of the twentieth century, and Silence is widely considered to be his great masterpiece.

Explores themes about:
  • the silence of God: The central emotional and spiritual question is why God remains silent while innocent people suffer terribly for their faith. 
  • Apostasy vs. True Compassion: Endō explores whether outwardly denying one's faith under duress is a cowardly betrayal or a supreme act of love and sacrifice for one's fellow human beings. 
  • The Cultural Soil of Japan: The novel reflects Endō's lifelong exploration of whether Western Christianity can take root in Japanese culture, or if the "swamp" of Japanese soil fundamentally alters or rejects it. 

Made into a motion picture in 2016, directed by Martin Scorsese, and starring Adam Driver, Liam Neesan, and Andrew Garfield.


A Heart So White, Javier Marias

  • Premio de la Critica de Narrative Castellana (1992)
  • Dublin Literary Award (1997)

Javier Marías's A Heart So White chronicles with unnerving insistence the relentless power of the past. Juan knows little of the interior life of his father Ranz; but when Juan marries, he begins to consider the past anew, and begins to ponder what he doesn't really want to know.

Secrecy—its possible convenience, its price, and even its civility—hovers throughout the novel. A Heart So White becomes a sort of anti-detective story of human nature. Intrigue; the sins of the father; the fraudulent and the genuine; marriage and strange repetitions of violence.

Marías elegantly sends shafts of inquisitory light into the shadows and on to the costs of ambivalence. ("My hands are of your colour; but I shame/To wear a heart so white"—Shakespeare's Macbeth.)


The Book of Ebenezer Le Page, G. B. Edwards

G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously in 1981, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.

Renowned authors John Fowles  and William Golding hailed it as a twentieth-century masterpiece for its authentic, powerful narrative voice.

Ebenezer Le Page, cantankerous, opinionated, and charming, is one of the most compelling literary creations of the late twentieth century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost.

The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island.

Human Acts, Han Kang
  • Nobel Prize in Literature, 2024
  • Shortlisted for the International Dublin Literary Award • One of the Best Books of the Year: The Atlantic, San Francisco Chronicle, NPR, HuffPost, Medium, Library Journal
“[Han Kang’s] intense poetic prose . . . confronts historical traumas and exposes the fragility of human life.”—The Nobel Committee for Literature, in the citation for the Nobel Prize

“Compulsively readable, universally relevant, and deeply resonant . . . in equal parts beautiful and urgent.”—The New York Times Book Review

Amid a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed. The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre.

From Dong-ho’s best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.

An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.


September 15, 2026

Retellings That We Have Read

In prepping the post about James, below, I started thinking about what other books we have read that can be characterized as retellings of other famous works.  A few popped into mind: Wicked, Demon Copperhead, Wide Sargasso Sea.  But for completeness sake, I asked ChatGPT to look at our reading list and identify all the retellings in our repertoire:

TitleSourceWhat kind of retelling?
Wicked — Gregory MaguireL. Frank Baum, The Wonderful Wizard of OzAlternate character's perspective / revisionist prequel. The Wicked Witch of the West becomes Elphaba, the protagonist, and Maguire reconstructs Oz's politics, religion and history around her. It asks, essentially, what if the "wicked witch" wasn't really wicked? This is probably the purest example of the form on your list. (New York Public Library)
The Story of Edgar Sawtelle — David WroblewskiShakespeare, HamletModern transposition. Hamlet is moved to rural Wisconsin and a family of dog breeders. Edgar = Hamlet; his murdered father and suspicious uncle reproduce the central family structure and revenge plot. It's quite deliberately a Hamlet retelling. (Wikipedia)
The Robber Bride — Margaret AtwoodBrothers Grimm, "The Robber Bridegroom"Gender-reversed modern retelling. Atwood turns the murderous male bridegroom into Zenia, a predatory woman who "devours" the men belonging to three female friends. The perspective belongs to the women who have been victimized by her. (PenguinRandomhouse.com)
East of Eden — John SteinbeckGenesis: Cain and Abel (and Adam and Eve)Modern/biblical transposition. Steinbeck reenacts Cain and Abel twice, first through Charles and Adam and then more explicitly through Cal and Aron. The names, sibling rivalry, rejected offering, question of moral choice and even the title announce the connection. It's not merely an allusion—the biblical narrative provides the novel's structural skeleton. (PenguinRandomhouse.com)
The Historian — Elizabeth KostovaBram Stoker, DraculaSequel/reinvention/modern extension. Rather than replaying Stoker's plot with equivalent characters, Kostova supposes that Dracula is real and still exists in the modern world. Stoker's novel itself effectively exists within Kostova's world. Critics have nevertheless explicitly called it a "retelling" and an update of Dracula. (Hachette Book Group)
The Sound of Waves — Yukio MishimaLongus, Daphnis and ChloeCultural transposition of an ancient Greek romance. Mishima takes the pastoral story of two innocent young lovers and relocates its basic pattern to a remote Japanese fishing island. This one is easy to miss if you don't know the ancient source. Scholars identify Daphnis and Chloe as a principal classical model. (LitCharts)
The Testament of Mary — Colm TóibínThe New Testament GospelsFamiliar story from a marginalized character's perspective. Tóibín gives Mary her own first-person-ish counter-narrative of Jesus's ministry and crucifixion. His Mary does not accept the disciples' developing interpretation of her son as Messiah. In that sense, it operates much like Wicked: a famous story is destabilized by allowing a character in the original to tell it differently. (Wikipedia)
Wide Sargasso Sea — Jean RhysCharlotte Brontë, Jane EyrePrequel + other character's perspective + postcolonial revision. This is another quintessential retelling. Rhys takes Rochester's unnamed/deranged Caribbean wife, "Bertha Mason," gives her the identity Antoinette Cosway, and tells the story that Jane Eyre leaves out—her childhood, marriage to Rochester and journey toward the attic at Thornfield. (Wikipedia)
Demon Copperhead — Barbara KingsolverDickens, David CopperfieldModernized transposition. Dickens's Victorian England becomes contemporary Appalachia; Victorian child poverty and exploitation become foster care, rural poverty and the opioid epidemic. Characters and plot episodes have recognizable Dickens counterparts, beginning with David Copperfield → Demon Copperhead. (SparkNotes)
The Master and Margarita — Mikhail BulgakovGoethe's Faust + the GospelsHybrid reworking rather than a straightforward retelling. Woland/Mephistopheles and Margarita/Margarete place the novel in the Faust tradition, but Bulgakov radically rearranges the roles rather than reproducing Goethe's plot. Meanwhile the embedded Pilate/Ieshua narrative explicitly rewrites the Gospel account of Jesus and Pontius Pilate. So I would call this a double literary reworking, not a simple retelling. (JBC Commons)
James — Percival EverettMark Twain, Adventures of Huckleberry FinnRetelling from another character's perspective. Everett retells Twain's novel from the perspective of Jim, the enslaved man who travels down the Mississippi with Huck. The major characters and events of Twain's story remain recognizable, but Jim—renamed James—is given an interior life, agency, intelligence, and a story of his own, radically changing the meaning of the original narrative.

I note that we have read both the original and the retelling of the following:
  • Wide Sargasso Sea and Jane Eyre
  • The Historian and Dracula
  • Huckleberry Finn and James

September 8, 2026

James, Percival Everett - September 28, 2026


We will meet September 28 at Julie's house to discuss James by Percival Everett. 

Supplemental materials (and check back for more later):

September 3, 2026

Wendell Berry has passed away

Sad news.  Wendell Berry passed away a few days ago. We'd read three works by him: Fidelty, The Wild Birds, and Three Short Novels: Nathan, Remembering, and A World Lost. Our hearts go out to his family and to our Kathy.

Here are some obituaries/tributes:




July 28, 2026

The Adventures of Huckleberry Finn, Mark Twain - August 24, 2026

 

We'll meet August 24 at Katherine's to discuss The Adventures of Huckleberry Finn, by Mark Twain. 

Supplemental materials:

July 8, 2026

Midnight in the Garden of Good and Evil, John Berendt - July 27, 2026


We will meet July 27, 2026, at Connie's to discuss Midnight in the Garden of Good and Evil by John Berendt.

June 29, 2026

Martyr! Kaveh Akbar - June 29, 2026


We'll meet at Karen's on June 29 to discuss Martyr! by Kaveh Akbar.

Supplemental materials:

April 26, 2026

The Housekeeper and the Professor, Yoko Ogawa - April 27, 2026

 


We will meet at Kathy's house on April 27 to discuss The Housekeeper and the Professor by Yoko Ogawa. 

March 18, 2026

Sing, Unburied, Sing, Jesmyn Ward - March 23, 2026

 

We will meet March 23 at Connie's house to discuss Sing, Unburied, Sing by Jesmyn Ward. 

February 19, 2026

Crossing to Safety, Wallace Stegner - February 23, 2026

 


We will meet February 23 at Ruth's to discuss Crossing to Safety by Wallace Stegner.  

January 12, 2026

Plainsong, Kent Haruf - January 26, 2026

 


We will meet January 26 at Julie's to discuss Plainsong by Kent Haruf. 

So Big, Edna Ferber - January 5, 2026

 We met January 5 at Kerry's to discuss So Big by Edna Ferber


Absolution, Alice McDermott - November 24, 2025

 

We met November 24, 2025 at Steph's to discuss Absolution, by Alice McDermott.